I always enjoy hearing great success stories about local people who’ve made it. Jesse Ortiz is a good example—a Galileo High School and University of San Francisco graduate who’s made it big in the sport of golf as one of the world’s premier golf club designers in the world. Ortiz began his club designing career as a teenager in 1968 with guidance from his father Lou, founder of Orlimar Golf. Together, Jesse and Lou hand-crafted golf clubs for many of golf’s greatest, from Ken Venturi to Johnnie Miller. The Ortiz’ became personal craftsmen for Northern California’s finest golf professionals. While at Orlimar, he designed and developed many successful products introduced by the company, including the TriMetal™ fairway metal line, widely considered to be among the most lucrative and innovative ever introduced. It was consistently ranked among the top fairway metals by professional PGA Tour and senior PGA Tour players in Darrell Surveys. Before leaving Orlimar, Jesse introduced the critically acclaimed TriMetal™ HipTi Driver, which featured not only the thinnest conforming face in golf, but also the strongest and most rigid. Jesse’s metal wood innovations propelled sales from $1.5 million to $100 million in the late 1990s. Since 1998, over 700 PGA professional players have used Ortiz clubs in tournament play. During this period, Ortiz’s name has become synonymous with high-quality woods and fairway metals design. In 2004, the Jesse Ortiz Design Studio partnered with the upstart Bobby Jones Golf Company, and resounding success has followed. Driven by the commercial and critical triumph of the Bobby Jones Hybrid by Jesse Ortiz, the Bobby Jones Players Series by Jesse Ortiz continues to benefit from heavy media acclaim and increasing sales. In 2008 after nearly four years in the workshop, Jesse launched a revolutionary new 460cc driver and a collection of technology-shaping wedges for Bobby Jones Golf. In 1999, Jesse received the International Network of Golf Business Achievement Award and was recognized as the Entrepreneur of the Year for Northern California by Ernst & Young.
Gus Triandos was around many great moments in baseball
Gus Triandos was a very decent catcher during the 50’s and 60’s. He hit 167 career homers, and although he was not fleet of foot (he stole one base and holds the record for most consecutive games played without being thrown out: 1,206), Triandos had a great arm and was known as one of the top-fielding backstops in the league throughout his years with five major league teams. He now lives in San Jose, California and runs a postal company. He was wearing a neck brace the morning I met him, the result of a recent car accident. Gus was a part of a lot of baseball history. A 2-time all-star, he caught Jim Bunning’s perfect game in 1964, used the big oversized mitt to catch knuckleballer Hoyt Wilhelm during his no-hitter in 1958 and was the opposing catcher when Ted Williams hit a home run in his final plate appearance in 1960.
The perfect game he caught: “Bunning was on his game that day and everything just fell into place. A perfect game is so rare, because it’s never completely in the pitcher’s hands. An error can mess it up and I’ve seen it happen more than once. In the ninth inning, Jim Bunning called his catcher, Gus Triandos, to the mound. What did they talk about? Triandos stated after the game, "He said I should tell him a joke, just to get a breather. I couldn't think of anything. I just laughed at him."
High school: “My senior year, we had 11 guys sign professional contracts. Mission High was the baseball school, Polytechnic was the football school and Lowell was the basketball school in San Francisco at that time. The only one who really made it for any time in the majors was me.”
The 1957 all-star game: “That *$#@ Stengel didn’t even put me in that game. That Stengel really hated my guts. And then the next year it was in Baltimore. That’s when they let the players pick the all-stars for the first time. And I got in because I was elected by the players. And Casey still didn’t want to play me, but he had no choice.”
Players he liked/disliked: “I never got to where I disliked a guy. There were a couple I ended up disliking, but shit, life’s too short. I stayed away from them. You see them now, and you never get a chance to talk. Maybe for a minute at some dinner or event or something. But, there were very few people -- players and managers -- that after it was all over, I disliked…Stengel was one of them. I wasn’t his type of ball player. You know, I couldn’t run. I couldn’t hit to the opposite field. And for some reason he just didn’t like me and it was patently obvious. The greatest thing that ever happened to me was him disliking me. He also made the right pick. He decided that he liked Elston Howard better than me. And that was a helluva pick.”
Umpires: “You almost have to be an ass---- to be an umpire. You have to take so much shit. You start the season out real good friends with them by the end of the season guys were salivating, hell, saying they hated each other’s guts. The only reason the umps liked me is I didn’t show ‘em up, and I never argued with them. Stayed off them so that the fans wouldn’t get on them.”
Players today: “The way things are now, the kind of money these guys are making, it’s messed everything up. In our era, there was more integrity and more love for the game. Look at these fucking guys, they buy 2-3 million dollar homes; some of them have six or seven kids with five different women? It’s crazy.”
HOFer’s: “Any Hall of Famer who thinks he’s so wonderful because he did all these great things in baseball is full of crap. He was able to do it because he was blessed by God with natural ability. He didn’t necessarily have to work that hard to be a star. I’ve seen .220 hitters work a lot harder than a lot of Hall of Famers. There were some good ones, but there are also a lot of bad guys who are Hall of Famers. That’s why I never really idolized Hall of Famers, because I thought they were blessed.”
Sunday, June 20, 2010
Wednesday, June 16, 2010
She IS Edith Piaf!!
Multi-talented Naomi Emmerson brings to life Edith Piaf’s unmatched passion for song, her inspirational story of survival and her unwavering faith in love in Piaf: Love Conquers All, this intimate Off-Broadway hit that has travelled from Montreal to Manila before coming to San Francisco.
Emmerson interprets fourteen of Piaf’s most notable songs in their original French language (dialogue in English) and will be accompanied by Alan Choy’s live acoustic piano. Woven among songs are anecdotes of Piaf's life - her passion for men, music and morphine. A version of Piaf's life was recently brought to the screen with an Oscar-winning performance by Marion Cotillard in “La Vie an Rose”.
Piaf: Love Conquers All runs from July 7 - August 7, 2010 at the Eureka Theatre (215 Jackson Street, San Francisco, CA – near the Embarcadero). Tickets are $25-$36 and are available at 800-838-3006 or at www.brownpapertickets.com.
I had a chance to talk to Naomi Emmerson recently and we discussed the role she’s played approximately 200 times during her acting career.
What is your attraction to playing Edith Piaf?
“When I first started playing her in 1993, it was a job. But now my motivation is to continually bring her music out to the audience in a meaningful way that is a tribute to her life. The music probably motivates me the most. The lyrics really tell her story, so if you listen to them you’re really getting a window into her life. She had a very mercurial life full of extremes and recklessness and she was things that I am not. So, I get to pretend and then feel honored that there was a woman who made a ton of sacrifices to share her music with the world.”
Tell us three things we probably don’t know about Edith Piaf.
“I bet nobody knows that she was a Rosicrucian later in her life. And she was very mystical and believed in spirits and had many precognitive experiences. She had an Ouija board she carried with her all the time. One time she read the board and then opted out of taking a flight and the plane later crashed. She also helped approximately 150 prisoners of war to escape from the German camps. She would perform for the prisoners and then would make sure to have her picture taken with them. Then, she’d find out these peoples’ names and ID’s were forged for these prisoners. During a return performance, she’d smuggle these prisoners fake ID’s and they could essentially walk right out of the camp. Also, she was by far the highest paid female entertainer of her time—more than Judy Garland or Ella Fitzgerald.”
If you could have lunch with Edith, what would you ask her?
“I actually had a very vivid dream in which we were drinking together in a bar. I would probably ask her if she minds that I’m singing her songs and does she approve?”
Her passions included men, music and morphine and in that particular order?
“I think her men would have been the first one, because without men and love in her life, she couldn’t have done her music, I believe. And then when she had the pain of lost love, she sang even better. So, those were connected. And, of course, the morphine played a big part in her life. Piaf got addicted to it after she was in a very bad car accident. After three years of abuse, she did finally quit. But she never gave up the booze!”
If people are sitting on the fence about seeing this show, what would you tell them to get their fannies in the seats?
“First off, the tickets for the show are very reasonably priced. In New York, we charged $45 and here the tickets are $25-$36. Also, the theater is beautiful; the set if amazing and people who know Piaf will come and really enjoy feeling like they’re visiting an old friend. And for those who don’t know anything about her, they will leave the theater absolutely wanting to know more.”
Subscribe to:
Posts (Atom)